So far this year, we've covered a wide array of topics in this blog, ranging from why you should write two novels before you try to sell one, to why you should not put confetti into the envelope with your book proposal. We have had posts on writing realistic dialogue, and using cinematic cutting techniques in fiction, and I have even shared a never-berfore-seen photograph of novelist Terri Blackstock writing bestselling fiction in the front seat of her car.
Here's the thing. As you've probably noticed (since I hype it just to the right of the blog entries on this page), I have a new book out on writing the novel, and that is getting me increased attention, the net result of which is that I'm getting invited to speak at more and more writer's conferences and to more and more critique groups and writers groups.
For writers conferences that are five days long or longer, this is a slam-dunk: by doing one one-hour session in the morning and one in the afternoon or evening, I can present the entire contents of my book in five days.
But some (many) conferences are fewer than five days, and at most critique groups, I'll only have a single 30-45-minute block allotted to me, after which I am expected to sit down and shut up.
So here is my question:
Imagine that you have found a magic lamp, and you have rubbed it, and out has popped, not a genie, but a well-published, bestselling novelist. What three questions would you like to ask that novelist?The "comments" section, below, eagerly awaits your response.